I wanted this to be a minor short-term brief to run alongside the lengthier more demanding work that I've undertaken.
I knew from the beginning that due to the university's recent zesty re-branding, I wanted to try and incorporate it into the design. I brainstormed and researched the extent of Christmas symbolism and came up with a number of designs - probably 10 in total. I also reviewed images of the types of Christmas cards that appeal to me.
I wanted the cards to reflect the clean dynamism of the new brand and incorporate some of the style found in the products of Paperchase. I was also influenced by the work of illustrator/designer Laura Ljungkvist.
Where I could, I also decided to make a play on the stylised g of the Glyndwr logotype, using it to embellish seasonal phrases such as Season's Greetings and Glad Tidings.
I think the cards, while not particularly pushing any boundaries, hit the client's needs and objectives fairly square on. I'm sure that given more time I would have reworked the designs to offer them further depth but who knows, in doing that, I might have wrecked their simplicity. I know some people might say that as a degree level art student I should be playing with installations, light projections and barbed wire, but part of life as a design communications student is to respond to the needs of the client. It's a commercial skill worth developing. Besides I've yet to hear a coherent and logical argument that explains why the Christmas card is a lesser art form.
In submitting the designs for consideration I also presented the notion, originally suggested by Pauline, that the university might, in future, like to consider producing a series of designs for general sale aimed at generating funds for the university itself or for charity. I need to consider ways of developing extended strategies like this more spontaneously myself.